Maiden Toronto

Friday the 13^th is usually held up as a day of bad luck and the movie franchise that depicted the serial killer Jason Vorhees. However, up in Toronto, Canada, 15,000 metalheads didn’t come together at Camp Crystal Lake for horrors, but they congregated for the appearance of Eddie, the mascot for Iron Maiden. This tour was to celebrate the time when one of their greatest albums was released, “Seventh Son of a Seventh Son.” The band set to recreate the video “Maiden England” that was produced around that time along with the set and of course the songs.

The night started off with a different beast though as Alice Cooper opened the festivities with a 45 minute set and wasted no time moving through his songs. It’s unfortunate he had to come on early as there is something wrong seeing Alice Cooper play while the sun is still gleefully shining. The most blatant tune left out was “Welcome to My Nightmare”, but he made up for it by blasting through favorites like “The Black Widow”, “Billion Dollar Babies”, and “Poison.” He also pulled two tracks from “Brutal Planet”, which is arguably Cooper’s heaviest album and it struck the right notes with the audience. “Hey Stoopid” was a nice inclusion, but my personal favorite from that album and of the show was “Feed My Frankenstein.” Of course, the song was featured in “Wayne’s World” and who could forget the classic scene when Wayne and Garth meet the band.

Cooper also seemed to take a page out of the Maiden playbook by employing three guitarists including a woman and she was most impressive. Though abbreviated, Cooper still was tied up in a strait jacket and still had his head chopped off. It was my first time seeing Cooper and he did not disappoint. I hope to see his full, headlining show someday.

Cooper whetted the crowd’s appetites for a bit, but it was so long before the “Maiden” chants started. The lead track off of “Seventh Son” led off the set in “Moonchild.” Bruce Dickinson is incredible after all these years. He keeps getting stronger and it’s unbelievable how he runs around the stage for two hours.

An unexpected inclusion was “Afraid to Shoot Strangers.” Usually, it is only the title track played from “Fear of the Dark”, but this was nice swerve. When the song picks up in the middle with the guitar break, the crowd began to roar after the stoic intro.

Two life-sized Eddie risers made their appearance and also one walked out during the “The Trooper” trying to attack guitarist Janick Gers. There were quite a sight to behold and along with a flawless set made this just about the best concert I have ever been to. “The Prisoner” was dusted off and intro along with video from the television show played. “Phantom of the Opera”, “Wasted Years”, and “Run to the Hills” all met with approval and most importantly, five of the eight “Seventh Son” songs were played. I personally would have loved to see “The Prophecy” live, but beggars can’t be choosers.

I highly encourage any Maiden fan to see this show. It is worth the price and it will be an unforgettable night. This Friday the 13^th was not filled with bad luck or crazed killers; there was only a monster named Eddie, Alice Cooper, and Iron Maiden.

The Electric Age Dawns in Columbus

Venue: Screamin' Willies
Date: April 23, 2012

Thrash metal titans Overkill charged into Ohio’s capital city firing on all cylinders in support of their new opus “The Electric Age.” Overkill scorched an unrelenting 90 minute set full of some classics and some recent cookers to whet the appetites of those in attendance.

The set started with the first track from the new album in “Come and Get It” and the crowd responded favorably followed by “Bring Me the Night” which sounded fiercer in the live setting than it did in the studio. However, when the ‘Kill belted out “Elimination”; it whipped the crowed into a frenzy.

Even though his voice has been wrecking necks for nearly 30 years, vocalist Bobby Blitz still retains his whisky fueled pipes sounded great. He greeted the crowd by stating that we smelled bad, but we looked good. I must also add to that I liked that during the solos of the songs, he would crouch in the corner and then coming running back out when it was time to sing again.

The band ripped into “Electric Rattlesnake” which came off really well live and the middle part where the song slows down a bit was awesome. Guitarists Dave Linsk and Derek Tailer were tearing it up and were on target. They played “Save Yourself” from the new album as well and I thought that track was not that good, but found the extra intensity live more enjoyable.
 

The 90s catalogue was not left out either as they pulled out a couple groovier tracks in “Gasoline Dream” and “Necroshine.” I have never been that big fan of the latter or the album itself, but the way the stage lit up when Blitz did the short screams was awesome as the lights flashed quickly which it seem like Blitz was bursting out of the dark.

“Old School” received great crowd support and sing along opportunities and then “Wrecking Crew” almost turned into a wreck as Ron Lipnicki was bashing the drums like there was no tomorrow and he knocked over one of his cymbals.
 

Bassist D.D Verni may be greying around the edges a bit, but he still performs with the vigor and energy required at a thrash show. It was done successfully because someone was carried out of the club for reckless behavior. Overkill rounded out the performance with “Deny the Cross”, arguably their best song ever “Rotten to the Core” and the classy “Fuck You.”

One minor complaint I have is they did not play anything from “Horrorscope.” Other than that, it was a great show, full of energy and intensity. There is no room for fancy guitar solos, or elongated drum mashing as Overkill kicked ass from beginning until the end. After all these years, they still got it and will deliver a spark with “The Electric Age.”

Epitaph? Not Really

Judas Priest

Venue:Quicken Loans Arena
Date: November 15, 2011

"A lonely grave and soon forgot/Only wind and leaves lament this mournful song/Yet they shout his epitaph out clear for anyone" From the Gospel of Judas Priest, Book Sad Wings of Destiny, sec. Epitaph

Metal forefathers Judas Priest are in the midst of their final world tour that they have dubbed “Epitaph.” While the morbid title gives a feeling of dreariness and sadness, the band is not coming to an end and their performance shows they have a lot left in the tank. The best part is they covered their whole 40 year history as they showcased songs from all of their albums (minus the ones with front man Tim “Ripper” Owens).

The set opened with the hammering “Rapid Fire”, which flowed right into “Metal Gods” both from the album where Priest found stardom “British Steel.” Rob Halford has been belting out the high notes for decades and he has not slowed one bit. He let out the most ear-piercing screams anyone could imagine. Just a like a wolf to the moon, the Metal God brought out the intensity to tracks like “Painkiller” and “Beyond the Realms of Death.”



Judas Priest also showed why they are one of the greatest metal bands ever because of their ability to write head-banging songs and also the fist-pumping, sing-along songs. The band pumped out “Heading Out to the Highway” and then followed it up with the screeching “Judas Rising.” Stalwarts in guitarist Glen Tipton, drummer Scot Travis, and bassist Ian Hill still had the vigor as if they were still in their twenties. The Priest stayed on fire all night and the stage set backed it up with smoke screens and a video screen to compliment the songs. On a closer look at the group though, one of the main members was missing.

Original guitarist K.K Downing left the band just before the start of the tour and a replacement was found in young-blood Richie Faulkner. Faulkner did not disappoint as he looked the part decked out in studs and was very energetic rousing the crowd to sing or clap their hands. The guys definitely found a great replacement to Downing. Faulkner brought his acoustic chops also doing a slower, more emotional version of “Diamonds and Rust”, which erupted to the electric outburst. The different arrangement to the song was very effective and one of the many highlights of the night.



After a whopping 140 minute set, Judas Priest closed the grave after reading their epitaph to Cleveland. With crowd favorites like “Living After Midnight,” “Breaking the Law,” and “You’ve Got Another Thing Comin’” and the lesser known songs like “Starbreaker,” “Never Satisfied,” and “Nightcrawler”; any casual or devout Priest follower is sure to not be disappointed because after 40 years they can still deliver the goods.

Aces High

Ace Frehley

Venue: House of Blues Cleveland
Date: November 8, 2011

"Rock soldiers come/Rock soldiers go/Some hear the drum/Some never know/Rock soldiers, how do we know?/Ace is back and he told ya' so." From the Gospel of Ace Frehley, Book Frehley's Comet, sec. Rock Soldiers

Ace Frehley has just released a new book entitled No Regrets and this writer had no regrets seeing him in concert this past Tuesday. Lame jokes aside, Frehley has found new life after overcoming a long battle with alcoholism and his live performance shows he‘s still “got“ it. The best part is he played tunes to catch everyone’s attention from his KISS songs, solo songs, and some KISS songs fans haven’t heard live in a long time.

From the get-go Frehley was on a mission as he attacked the guitar with a spaced-out opener in “Rocket Ride” and then followed it up with the speedy and scrambling “Parasite.” The crowd was frenzied with Frehley’s stage presence and seeing him play the guitar up close. He also had the perfect backing band to suit him.



The three supporting members brought new energy to classic KISS songs and also had vocal chops to pull off some numbers. Drummer Scot Coogan delivered a great rendition of the bombastic “Love Gun” and brought the force with “Lover Her All I Can.” Bassist Anthony Esposito gave a devilish and more aggressive approach to “Strange Ways” from KISS’s second album “Hotter than Hell.” Newcomer guitarist Todd Youth gave a sterling performance of “Flaming Youth” and if there was any "Destroyer" song Frehley was going to play; one would think that song would be on the bottom of the list. It was a pleasant surprise to hear that track.

Frehley would keep the surprises coming with a rocking version of “Hard Times” from “Dynasty.” However, before that he proclaimed he would be playing a song that had never been played live. That song would be “What’s on Your Mind” from the 78’ solo record. Not to be outdone with that, he dusted off “She” and the riff driven song shined in the live setting. Old favorites still littered the set with “Shock Me” providing the electricity to the crowd and the audience clapped their hands to "2000 Man” which while a cover song; the lyrics kind of define the Spaceman.



The best part of this concert was hearing Frehley pull out “Rock Soldiers” from his first Frehley’s Comet record. The thumping and pounding drums makes this song an instant classic, and the crowd delivered every word. Hearing Frehley say “Ace is back and he told ya so” was awesome and a personal highlight. The other major positives was the band bringing energy and heaviness to songs of old like “Snowblind,” “Rip it Out,” “Shout It Out Loud,” and especially “Deuce.” Hearing the ending solo to the song live was awesome and they also played added a solo section to “New York Groove,” which Frehley changed to “Cleveland Groove.”

Without a doubt, this is one the best shows I have seen and it is great to see Frehley bring the goods and being back on track since becoming clean and sober. Near the end of the show he joked with the crowd “As Paul Stanley would say ’give yourselves a round of applause’.” Frehley was laughing as he said it because he knew that the statement is as goofy as it sounds. Rest assured I gave an applause, but it was not for myself; it was for seeing one of the greats on stage giving a performance one would never forget.

Dio Disciples Come to Preach

Dio Disciples

Venue: House of Blues Cleveland
Date: September 28, 2011

“…you watch their faces, you’ll see their traces of the things they want to be, but only we can see…”-From the Gospel of Dio, Book Last in Line, sec. We Rock

It is has been about 17 months since Ronnie James Dio’s death that shook the metal community. However, his spirit and the power of his music has remained as a new venture was created by Dio’s last band members to tour and play his music from Rainbow, Black Sabbath, and of course his solo band. The singers they recruited are no slouches either as Tim “Ripper” Owens and little known Toby Jepsen joined the fold.

The band was electric right from the get-go with an energetic performance of “Stand Up and Shout” followed by “Holy Diver.” The Ripper was spot on with his vocals and did made it look effortless. Jepsen made his first appearance with the first Rainbow tune of the night in “Kill the King.” Jepsen possesses a very good vocal range and did the Dio songs justice. To add the aura of the songs, Owens and Jepsen would shoot back and forth on vocals and sometimes one would do the harmony in the background. The Rainbow classic “Stargazer” utilized this and was one the highlights of the night.

Craig Goldy was on fire all night with the guitar. Having to cover Ritchie Blackmore, Vivian Campbell, and Tony Iommi is no easy task, but he was on spot and very impressive. Whether it was the fury of “Kill the King”, the prodding of “Egypt (The Chains are On” or the majestic “Heaven and Hell”; Goldy nailed it.

The rest of the band was awesome too. Veteran bass player Rudy Sarzo still erupts energy as if he was still 25 and the way he wields the bass is fun to watch. Scott Warren provided the atmospheric keyboards and gave the amp “Rainbow in the Dark” and showed the catchier side to “Long Live Rock and Roll.” Behind the kit, Simon Wright was a beast all night pounding away like a rabid animal and was in a heap of sweat when it was all said and done.

When you get down to it though, it’s all about the songs and the expected classics were there like “We Rock”, “Mob Rules” and “Rainbow in the Dark.” A surprising omission was “Neon Knights” and that only two Sabbath songs were played. A few surprises were also included like “The Shed (Subtle)” and also the overture and “Lord of the Last Day” from Magica.

The best one-two punch of songs was “The Shed” and “Kill the King” because not only are they amongst my favorite songs of the whole Dio catalog, but the sheer ferocity and actually hearing these songs live was a true privilege. With the Holy Diver cover draped in the behind the band it was clear they were going to deliver a heavenly performance. After 90 minutes, the Disciples called it a day and I am happy to say I am a follower.